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Re: Telecine and the future????
- To: "telecine internet group" <telecine at alegria.com>
- Subject: Re: Telecine and the future????
- From: "Martin Euredjian" <martin at hollydig.com>
- Date: Mon, 14 Jun 1999 22:51:36 -0600
- Resent-Date: Tue, 15 Jun 1999 00:52:17 -0500
- Resent-From: telecine at alegria.com
- Resent-Message-ID: <"JA-TtB.A.vXF.NoeZ3" at sun>
- Resent-Sender: telecine-request at alegria.com
- Resent-To: multiple recipients of <telecine at alegria.com>
>I need to know
>what I am getting on the NEG, not what can be done in the transfer.
>Especially for a film finish.
> Don't save me, don't help me. Give me a true one light and don't mess
>with the gamma curves, or crushing the blacks or saving the highlights.
A certain amount of manipulation will always be necessary simply because the
full dynamic range of a negative cannot be translated 1:1 into video.
We are talking about a 3000:1 range on film compared to the 7:1 for a good
video monitor. Somewhere, someone has to decide what part of the range
needs to be preserved for future use. Your friendly local Colorist is where
this usually happens.
On an 8 bit tape format you can only represent in the order of 200 levels of
luminance. Even a badly shot negative can do better than that!
I'm not sure you can get what you want.
Thanks to Cinesite for support in 1999
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1044 subscribers in 41 countries on Tue Jun 15 00:52:13 CDT 1999
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