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Real Time Steady Gate



Is there still a need to 'Steady-Gate-transfer' film which is intended for
effects and compositing, or have the later Ursa Golds and Spirit done away
with the need for steady gate?

(I am aware footage may be 'steadied' in post.... but I am curious about
the precision of these later machines.)

Steve McWilliams
Director/Camera
Bednarz Film



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