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I don't pretend to understand how the various TK's work. I got lost after
they stopped pointing projectors down TV cameras. I can't remember what
Cintel that was but it consisted of a Bauer P6 and a Philips LDK 5.
However, I can recognise better pictures, however they originate.
What I was trying to say was that CR and Spirit are streets ahead of other
machines when output to a 625 monitor, how do they get the pictures there?
frankly I don't give a damn.
I've argued the benefits of post-producing movies at 2K for a long time
now and been shot down as many times :-)
Personal website http://www.saccard.com
Cinematography mailing List http://www.cinematography.net
Thanks to Rich Torpey for support in 1998.
No product marketing allowed on the main TIG. Contact rob at alegria.com
1013 subscribers in 39 countries on Sat Sep 26 12:31:34 CDT 1998
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