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Re: From Green To Blue Cars



The blue/green response of film is an odd one.

I always get strange reactions when I shoot blue screen and light it with
Rosco Moonlight Blue, to they eye it looks green, to the film it's the
most saturated blue you can get!

There's also that wonderful Lilac/Magenta/Indigo area that when you shoot
something it's pretty much random what it comes out like :-)



Geoff Boyle...personal website http://www.saccard.com
Cinematography Mailing List info http://www.cinematography.net

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