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Re: Production design for B&W to color spot.
C B Gaines wrote:
> I vote for color. It's easy enough to drain out the chroma for B/W look,
> but it's impossible to add color (warm or cool tones) if there is no
> color information there to begin with (B/W).
You know CB...I think that's the right answer. We all know how much easier
color stock is to work with in a telecine environment. All of the reasons
have been posted here before, ad nausea. (See the archives). But I wouldn't
come out in public and say so for fear of the monochrome purists flaming my
Put 'em down girls and boys...a little sarcasm goes a long way ;^)
Bob Festa festa at pacbell.net
Director of Advanced Imaging festa at encorevideo.com
Encore Santa Monica 310 656 7663
Thanks to Howie Burch/Nice Shoes for supporting the TIG in 1998..
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