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Re: day for night



>several suggested that this go to the CML (cinematography
>mailinglist)..  good idea, but there are many DP's who subscribe to
>the TIG, who are happy to contribute.

Also, if this is for something like a commercial --where there will not be
a film-finish-- the only treatment that is significant will be that given
during the telecine session.  Folks at the CML list may be a lot more
familiar with what to do for a conventional film finish situation where you
have the lab do the color timing.  Still, it'd be interesting to learn what
the non-video folks have to say about this.


-Martin Euredjian

 

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