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Re: what's so hard?



Deidre McClelland wrote:

> If . . .

> 11. you have enough knowledge of film, labs and camera problems that
> become apparent at the telecine stage and cause clients to panic.
> Knowing what could have caused problems and if they can be repaired may
> save a lot of undue stress or reshooting.
> 
> 12. you have enough knowledge of the rest of the post production phase
> so that what you do in telecine is going to be a help to other operators
> i.e correct timecode for editors, different grades to help keys, mattes
> or other fx.

I wish I wish I wish.
Yes there are a few such colorists - they're probably worth more than
the President of the United States gets.

Dominic

*** 
thanks to Sam Dlugach, Dean Humphus, & Clark Bierbaum 
for support of the TIG in 1997
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