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Re: Monitor placement
Reply to: RE>>Monitor placement
I basically agree. Mike's reasons are similar to our own here for monitoring
in Composite. D-1 is available if the clients request it but this doesn't
happen very often, at least in Film to Tape. The D-1 Edit suites and the
Graphics rooms are a different story however.
> on Oct 10, 1996 Mike Orton wrote--->
> ...<major deletia>...
> To add fuel to this one... the picture is
> ultimattely (sic) going to be
> viewed on an NTSC (OK or PAL) television set,
> either the agency director's
> expensive ProScan setup, or on Grandma's rented
> 15-year old Zenith
> somewhere near Duluth.
> We owe it to our clients to at least be aware
> of what the NTSC encoded
> picture is going to look like, .........