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Re: Problem film flats



Regarding perfs slipped in camera with resultant out-of-frame registration,
it has frequently been practice in labs processing and setting up for
telecine transfer to cut and splice the film, in the fogged area created by
the cameraman's aperture check, to maintain proper framing . We, for
instance, do that at Film Craft Lab in Detroit.  Is there any potential
problem in this practice for proper KeyCode operation ?  

Lee Lipner/Film Craft Lab