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5298 & blue/green screen??



Has anyone had any blue or green screen footage come in shot on 5298?

I'm interested in hearing how well the high speed stuff works for mattes.
If you've seen any of this, please include your machine type, and whether
the mattes were done in TC or later, and what was used to cut the mattes
and generate the composites.

My previous experience with Kodak high speed stock when matting has not
been real good.  Tons of grain in the blue layer etc. I normally recommend
the stuff be shot with 93 or 87.

--Bob    bob at bluescreen.com