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Re Camera Timecode
I must admit that I've never worked out the logic of using camera timecode
to sync up
the sound. We've just done a S16 drama of 90 mins final running time, that
ended up on
slate 450. Assuming three takes per slate (I geuss it really is more) and 5
run up per take, then we've just burnt off getting on for two hours of neg.
I'm not sure what the cost of that is but it can't be cheap!
>From an operational point of view, should I be looking at pictures or
listening to the sound? Im not sure I'd be wanting to do both when it all
starts going belly up!
T K Films