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A question for all the series/longform people out there about sound syncing
Do many of you transfer and sound sync electronic rushes in your suite?. If
you do, what is the preferred most accurate method & equipment used in PAL.
I won't go into details at this point of how we go about it, but needless
to say the results achieved over the years has not always be accurate and
I'd like to here about any experience with timecode on film systems (Aaton,
Arri), edit controllers, timecode slates (dumb, smart or other), various
field DAT recorders and studio DAT machines etc.
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