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I would hope that some of us color carpenters can still
enjoy drivin' nails without the need for the special 2001
Buck Rodgers hammer.
Does anyone enjoy the challenge of making poorly shot
film look better than anyone ever imagined it would ?
Every roll of film I see presents me with slightly different
challenges than the last. Every set of clients that walk in
with that film put a different spin on that. Every piece of
gear I use has its own little special quirks to deal with.
We WILL be using the color correction stuff we're seeing in
the hottest new graphics sysytems sooner or later. It's bound
to happen. The question is... when we learn how to use the
new hammer will we still get a kick out of building a house ?
With All Due Respect ,